Skip to main content

Adam Kimmel ASC NYC Director of Photography | Call 929-323-4441


“This would have required a lot of costly equipment, so I proposed to the director, and then to the producers, to shoot the scene in that last little slice of dusk, when you can feel the day is gone but it’s not completely dark yet.” Said Kimmel, “To me, this felt more in tune with the emotion that the character is experiencing.” It would require that Kimmel and the team work with precision, and do all of the work in a short window of light. “I knew it would save on costs, and time, as long as we could pull it off.” As the cinematographer Adam had to convince the director and producers that shooting at dusk would add something fleeting to the scene, and be very powerful, even though they would have to work quickly. They agreed, and discussed what they would need to get it done. The plan was discussed with the actors, and Kimmel broke down and planned every shot with the Assistant Director to ensure they would have everything they needed, for every shot. Adam Kimmel, ASC 111 4th Ave, Apt 11 D/E New York, NY 10003-5236 (929) 323-4441 www.google.com/maps?cid=17075979994895700801 adam-kimmel-asc.business.site adamkimmelasc.wordpress.com/ adamkimmel-cinematographer.com sites.google.com/site/adamkimmelasc/ https://flic.kr/p/2izjBhm
Labels:

Comments

Post a Comment

Popular posts from this blog

Adam Kimmel, DOP Explores Innovating Comedy Shows

At a recent interview, ASC, Adam Kimmel, disclosed an approach that he took in one of his most recent shoots, a CNN / Netflix comedy series. Kimmel, A well respected Cinematographer (Director of Photography (DOP/DP) for several years, is always happy to talk about his perspective and also the advantage of his expertise with his coworkers and students. Find out more about his job at the following link and the famous cinematographer: Adam Kimmel DOP. Though the approaches to stand up comedy shoots are relatively well established and have been for quite a while, Adam Kimmel has shown once again that innovation is always welcome from the industry. During a recent shoot for Colin Quinn’s Red State, Blue State, Kimmel opted to work with the Alexa LF cameras of Arri, complemented by their signature primes. Although this mix produces an image, using also the chance of more shallow depth of field aesthetics and also immersive, it’s an unusual approach for a stand-up show. Regardless of this...
Post a Comment
Read more

Adam Kimmel DP | Call 929-323-4441

Adam Kimmel DP | Call 929-323-4441 He also expects upcoming releases of new equipment to facilitate similar productions going forward, as he says, "I've been to the demo of the ALEXA Mini LF and can't wait for those cameras to be more available. Still, I have to say this one all went so well, thanks in no small part to Mike Nichols and AbelCine's support. It was a lot to ask on short notice, and I felt taken care of" Adam Kimmel has been a member of the Academy of Motion Pictures Arts and Sciences since 2007 and the American Society of Cinematographers since 2008. He has shot over 16 feature films, receiving two Independent Spirit nominations and a BAFTA shortlisting for best cinematography. His filmography includes Bennett Miller's Capote (5 Academy Award nominations including best picture and the best actor win for Phillip Seymour Hoffman). He is also known for Lars and The Real Girl, Never Let Me Go, and Jesus' Son, as well as a currently untitled Benn...
Post a Comment
Read more

Adam Kimmel, DP On Panel at NAB

Throughout his appearance in the NAB Show, Adam Kimmel, ASC, shared his ideas on the crucial part played by the Digital Imaging Technician (DIT) on any given set. He explained his experiences as a director of photography and shared tales he has found himself through the years. Read further here: Adam Kimmel DP. Balancing the visual and creative aspirations with all the logistical and financial limitations are a few of the most difficult challenges that Directors of Photography (DPs) have faced throughout their careers. The conflict between saving the manufacturing money or looking to capture the choices made as well as the picture can feel as they are compromising the other or one. Part of what defines a successful DP is the way they respond to those challenges, the way they utilize their expertise and the resources at their disposal to overcome these barriers without compromises made to both end. This was one of the primary topics discussed throughout Kimmel’s visit at the NAB Sho...
Post a Comment
Read more