“This would have required a lot of costly equipment, so I proposed to the director, and then to the producers, to shoot the scene in that last little slice of dusk, when you can feel the day is gone but it’s not completely dark yet.” Said Kimmel, “To me, this felt more in tune with the emotion that the character is experiencing.” It would require that Kimmel and the team work with precision, and do all of the work in a short window of light. “I knew it would save on costs, and time, as long as we could pull it off.” As the cinematographer Adam had to convince the director and producers that shooting at dusk would add something fleeting to the scene, and be very powerful, even though they would have to work quickly. They agreed, and discussed what they would need to get it done. The plan was discussed with the actors, and Kimmel broke down and planned every shot with the Assistant Director to ensure they would have everything they needed, for every shot. Adam Kimmel, ASC 111 4th Ave, Apt 11 D/E New York, NY 10003-5236 (929) 323-4441 www.google.com/maps?cid=17075979994895700801 adam-kimmel-asc.business.site adamkimmelasc.wordpress.com/ adamkimmel-cinematographer.com sites.google.com/site/adamkimmelasc/ https://flic.kr/p/2izjBhm
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