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Adam Kimmel ASC NYC Director of Photography | Call 929-323-4441


“This would have required a lot of costly equipment, so I proposed to the director, and then to the producers, to shoot the scene in that last little slice of dusk, when you can feel the day is gone but it’s not completely dark yet.” Said Kimmel, “To me, this felt more in tune with the emotion that the character is experiencing.” It would require that Kimmel and the team work with precision, and do all of the work in a short window of light. “I knew it would save on costs, and time, as long as we could pull it off.” As the cinematographer Adam had to convince the director and producers that shooting at dusk would add something fleeting to the scene, and be very powerful, even though they would have to work quickly. They agreed, and discussed what they would need to get it done. The plan was discussed with the actors, and Kimmel broke down and planned every shot with the Assistant Director to ensure they would have everything they needed, for every shot. Adam Kimmel, ASC 111 4th Ave, Apt 11 D/E New York, NY 10003-5236 (929) 323-4441 www.google.com/maps?cid=17075979994895700801 adam-kimmel-asc.business.site adamkimmelasc.wordpress.com/ adamkimmel-cinematographer.com sites.google.com/site/adamkimmelasc/ https://flic.kr/p/2izjBhm

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Adam Kimmel Director of Photography New York NY | Call 929-323-4441

Adam Kimmel Director of Photography New York NY | Call 929-323-4441 Adam Kimmel, Director Of Photography, Explores Innovation In Comedy Shows In a recent interview, Adam Kimmel, ASC, revealed an unusual approach he took in one of his most recent shoots, a CNN / Netflix comedy show. Kimmel, A well respected Cinematographer (Director of Photography (DOP/DP) for many years, is always happy to share his perspective and the benefit of his experience with his peers and students. Learn more about the renowned cinematographer and his work at the following link: Adam Kimmel DOP. While the approaches to stand up comedy shoots are relatively well established and have been for quite some time, Adam Kimmel has demonstrated once again that innovation is always welcome in the industry. During a recent shoot for Colin Quinn's Red State, Blue State, Kimmel opted to work with Arri's Alexa LF cameras, complemented by their signature primes. While this combination produces an outstanding image, w...

Adam Kimmel DP | Call 929-323-4441

Adam Kimmel DP | Call 929-323-4441 Using this combination of cameras and lenses was not an easy task. Five Alexa LF's and two sets of Signature Primes were sourced from ABLE Cameras in New York. "These Signature primes were still entirely new and hard to get, so we had to plan how to work with five cameras and only two sets of lenses for a live show. "I was very considerate of my placement of cameras and choice of focal lengths as I didn't want to be changing prime lenses in the middle of the show. Also, since we were shooting 360° and I didn't want to see other cameras, it made sense to keep the profiles more compact and the cameras more fixed. Director Bobby Moresco was pleased with the look, and the coverage I was able to give him and everyone involved seems to love how the show turned out." Using the larger format cameras and lenses also facilitated certain aspects of post production, "I asked DIT Dave Satin to adjust the frame lines so I would have...

Adam Kimmel DP | Call 929-323-4441

Adam Kimmel DP | Call 929-323-4441 He also expects upcoming releases of new equipment to facilitate similar productions going forward, as he says, "I've been to the demo of the ALEXA Mini LF and can't wait for those cameras to be more available. Still, I have to say this one all went so well, thanks in no small part to Mike Nichols and AbelCine's support. It was a lot to ask on short notice, and I felt taken care of" Adam Kimmel has been a member of the Academy of Motion Pictures Arts and Sciences since 2007 and the American Society of Cinematographers since 2008. He has shot over 16 feature films, receiving two Independent Spirit nominations and a BAFTA shortlisting for best cinematography. His filmography includes Bennett Miller's Capote (5 Academy Award nominations including best picture and the best actor win for Phillip Seymour Hoffman). He is also known for Lars and The Real Girl, Never Let Me Go, and Jesus' Son, as well as a currently untitled Benn...