Skip to main content

Adam Kimmel ASC Master Class


Adam Kimmel recently participated in a Master Class series in Cinematography, under Professor Dejan Georgevich at the School of Visual Arts (SVA) in New York City. The class is generally one session lasting for about 3 hours. Kimmel, who has participated in this class previously, chose to show students, sections of two films that he shot, “Capote” and “Never Let Me Go.” Both clips were from the third acts of the films. He explained the choices that he had to make and why he made them, and then provided details about the factors that helped him arrive at those choices. In “Never Let Me Go,” Kimmel explains that there was a sequence in which one of the main characters discovers that the one thing he thought was keeping him alive, isn't true. “He’s destined to die soon and die young,” explained Kimmel. It was scripted as a night scene that took place out on a country road, where he is a passenger in a car. He asks the driver to pull over, gets out, and completely breaks down on the side of the road. According to Kimmel, the challenge, both creatively and financially, was lighting a country road that is in total darkness. Adam Kimmel, ASC 111 4th Ave, Apt 11 D/E New York, NY 10003-5236 (929) 323-4441 www.google.com/maps?cid=17075979994895700801 adam-kimmel-asc.business.site adamkimmelasc.wordpress.com/ adamkimmel-cinematographer.com sites.google.com/site/adamkimmelasc/ https://flic.kr/p/2izjBgQ
Labels:

Comments

Post a Comment

Popular posts from this blog

Adam Kimmel Director of Photography New York NY | Call 929-323-4441

Adam Kimmel Director of Photography New York NY | Call 929-323-4441 Adam Kimmel, Director Of Photography, Explores Innovation In Comedy Shows In a recent interview, Adam Kimmel, ASC, revealed an unusual approach he took in one of his most recent shoots, a CNN / Netflix comedy show. Kimmel, A well respected Cinematographer (Director of Photography (DOP/DP) for many years, is always happy to share his perspective and the benefit of his experience with his peers and students. Learn more about the renowned cinematographer and his work at the following link: Adam Kimmel DOP. While the approaches to stand up comedy shoots are relatively well established and have been for quite some time, Adam Kimmel has demonstrated once again that innovation is always welcome in the industry. During a recent shoot for Colin Quinn's Red State, Blue State, Kimmel opted to work with Arri's Alexa LF cameras, complemented by their signature primes. While this combination produces an outstanding image, w...
Post a Comment
Read more

Adam Kimmel DP | Call 929-323-4441

Adam Kimmel DP | Call 929-323-4441 Using this combination of cameras and lenses was not an easy task. Five Alexa LF's and two sets of Signature Primes were sourced from ABLE Cameras in New York. "These Signature primes were still entirely new and hard to get, so we had to plan how to work with five cameras and only two sets of lenses for a live show. "I was very considerate of my placement of cameras and choice of focal lengths as I didn't want to be changing prime lenses in the middle of the show. Also, since we were shooting 360° and I didn't want to see other cameras, it made sense to keep the profiles more compact and the cameras more fixed. Director Bobby Moresco was pleased with the look, and the coverage I was able to give him and everyone involved seems to love how the show turned out." Using the larger format cameras and lenses also facilitated certain aspects of post production, "I asked DIT Dave Satin to adjust the frame lines so I would have...
Post a Comment
Read more

Adam Kimmel, DOP Explores Innovating Comedy Shows

At a recent interview, ASC, Adam Kimmel, disclosed an approach that he took in one of his most recent shoots, a CNN / Netflix comedy series. Kimmel, A well respected Cinematographer (Director of Photography (DOP/DP) for several years, is always happy to talk about his perspective and also the advantage of his expertise with his coworkers and students. Find out more about his job at the following link and the famous cinematographer: Adam Kimmel DOP. Though the approaches to stand up comedy shoots are relatively well established and have been for quite a while, Adam Kimmel has shown once again that innovation is always welcome from the industry. During a recent shoot for Colin Quinn’s Red State, Blue State, Kimmel opted to work with the Alexa LF cameras of Arri, complemented by their signature primes. Although this mix produces an image, using also the chance of more shallow depth of field aesthetics and also immersive, it’s an unusual approach for a stand-up show. Regardless of this...
Post a Comment
Read more