Adam Kimmel DP | Call 929-323-4441 Red State Blue State Adam Kimmel director of photography "It’s not the typical way to shoot a live stand-up show. Usually you want the versatility of zooms but my feeling was that the content and style of what Colin was doing and what the show is about lends itself to staging it with him much closer to and surrounded by the audience and with a more fixed and observational camera style. Because of that and the benefit of the shallower focus, I took the chance on limiting us without the flexibility of zooms." - Adam Kimmel, ASC adamkimmelasc.wordpress.com/ https://flic.kr/p/2im3qJy
"This wasn't an easy decision. I knew it would make my job more difficult. Still, given the available local options, I took on the extra work and was able to manage the image control myself. I think all the years of working in film and the photochemical process with labs gave me the skills needed to do much more of the work in-camera and with lighting. Even when I have a great DIT on my crew, I still tend to work that way." But Kimmel said that when working with a DIT, he enjoys collaborating with them to achieve a specific look. "I prefer going to the DIT, outlining my vision of the scene, and getting them fully on board. I then also ask that we control what gets seen on all the monitors to maintain that vision," expressed Kimmel. Remarking that on commercials, "clients usually have concerns that I've already heard in pre-production and have taken into account in making the choices I've made. I also think this process of sometimes having many diff
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